A few days ago, I
watched a film named “Requiem For A Dream” in my Film Studies class. When my
lecture introduces this film to us, I’m not so interested because it seems like
an old-fashioned style of American film. But after I finished watching it, I
totally change my mind. This is an awesome anti-drug film I have ever seen.
It is quite interesting
that I found this film is one of the Top 10 Banned Film because of its psychological
pressure. It is the few of banned film that not included too much of bloody,
pornographic or mistreatment scene, all rely on director's editing and camera
work, to pull the mood of the scene to the highest point.
The director uses fast
cuts to present the act of drugs consumption. The scene of powder, fire, boiling
water, rolling money, dilated pupils are playing in a fast speed and keep
repeating to show the audience the pleasure of taking drugs. This kind of
editing can pull audience into the story as if they are the people who taking
drugs instead of showing them the characters are taking drugs. We can also call
this kind of editing as Montage. The combination of different things can bring
out the true meaning of the scene.
Screenshot of some scene that shows the act of drugs consumption. |
The editing of cutting the screen into two parts, left and right, is
also often used in this film. This can make the audience capture the facial
expression of the characters more clearly. It also shows the contrast among the
characters and enhance the mood of scene. For example, the starting scene when
Harry wants to get the key from his mother, Sara, so that he can move away the
television from the living room and sell it. He seems to be very angry outside
the room, and she looks timid in the room. We can see that there is conflict among
two of them.
Scene cuts into two parts to show both characters' emotion. |
The camera position plays a very important
role in this film. There are a lot of close up (CU) and extreme close up (ECU)
are used to emphasize the mood of the scene. Most of the characters have this
shooting scene like there is a camera just in front of their face to capture
all their expression. Because of it is really close to the characters, it
creates a sense of fear and pressure, a minor change of expression also might affect
the audience’s mood.
Screenshots of some example of close up (CU). |
Screenshot of fisheye
lens scene.
|
The director, Darren
Aronofsky, plays around the technique of Mise-en-shot in this film. All the
camera angle, camera position, duration of shots, shot scale and pace of
editing are well organized to enhance the narrative of the film. Different
angle of camera shot creates different feelings. The shaking camera view also
makes the audience become unbalance and confuse.
This film is a tribute
to Perfect Blue, a Japanese animated
psychological thriller-horror film directed by Satoshi Kon in 1997. There is a
scene where Marion dips herself in bathtub is quite similar to Mima, the main
character of Perfect Blue. Both of them are confuse, they cannot differentiate
the reality and illusion. They slowly dig their dark side of human nature and
lost their mind in illusion. No one can save them except their own self.
Mima in Perfect Blue (left) and Marion in Requiem For A Dream (right). |
It is awesome.
This
film really shows the dark side of human nature. Drugs, money, sex, things that
might pull a person into Abyss. This is what actual happen in our society,
maybe a little bit of exaggeration? But we cannot just ignore it because it
does not happen around us. The audience has a chance to observe the character
live for dream blindly, forgot the motive of their life, and lastly lost themselves
in illusion. This film is not a normal American film, is a stirring masterpiece.
It’s shocking is not primarily visual, but the soul, you will always remember
this movie after watching it.
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